Louis Armstrong was an American jazz trumpet player, singer, and composer. He is one of the most influential musicians in history. In his lifetime he composed over 1,000 songs that have been covered by many artists.
The Google Play services keep stopping j7 is a problem that has been present for a while. Google has released 9 fixes to fix the issue. Topic: Louis Armstrong Biography, Songs, & Albums | Category: Celebrity Must Have: louis armstrong songs The louis armstrong songs is a biography of Louis Armstrong, and includes information about his songs and albums.
Louis Armstrong, a jazz pioneer, was the first major soloist to emerge in the genre, and he went on to become the most influential artist in the genre’s history. Beginning with the studio recordings he produced with his Hot Five and Hot Seven groups in the 1920s, his performance as a trumpet virtuoso set a future for jazz in highly creative, emotionally driven improvisation. Jazz fans hold him in high regard because of this. Armstrong’s uniquely worded baritone singing and engaging personality, which were on show in a succession of vocal records and film appearances, made him a lasting presence in popular music. He made it through the bebop era in the 1940s, becoming more popular throughout the globe. Armstrong was well-known by the 1950s, having traveled the world for the US State Department and earned the moniker “Ambassador Satch.” His comeback in the 1960s, with hits like the Grammy-winning “Hello Dolly” in 1965 and the classic “What a Wonderful World” in 1968, cemented his status as a musical and cultural icon. He won a Grammy Lifetime Achievement Award a year after his death, in 1972. Similarly, the Grammy Hall of Fame has included several of his most important songs, including “West End Blues” from 1928 and “Mack the Knife” from 1955.
Armstrong, who was born in New Orleans, Louisiana in 1901, had a rough upbringing. His father, William Armstrong, was a manufacturing worker who abandoned the family shortly after the child was born. Armstrong was raised by his maternal grandmother and his mother, Mary (Albert) Armstrong. He exhibited an early interest in music, and a trash dealer for whom he worked as a grade-school student assisted him in purchasing a cornet, which he learned to play on his own. He dropped out of school aged 11 to join an informal group, but he was sent to reform school after firing a pistol during a New Year’s Eve party on December 31, 1912. He majored in music and played cornet and bugle in the school band, ultimately rising to the position of director. On June 16, 1914, he was freed and began working as a manual laborer while attempting to establish himself as a musician. Armstrong was mentored by cornetist Joe “King” Oliver, and when Oliver left the Kid Ory Band in June 1918, Armstrong took his position. In the spring of 1919, he joined the Fate Marable band and stayed with them until the autumn of 1921.
In August 1922, Armstrong went to Chicago to join Oliver’s band, and in the spring of 1923, he recorded his first recordings with the ensemble. On February 5, 1924, he married Lillian Harden, the Oliver band’s pianist. (She was his second wife out of four.) With her encouragement, he left Oliver and went to New York to join Fletcher Henderson’s band, remaining for a year before returning to Chicago in November 1925 to join his wife’s group, the Dreamland Syncopators. He moved from cornet to trumpet at this time.
Armstrong had garnered enough attention as a solo artist to record his first album as a leader on November 12, 1925. After signing with OKeh Records, he started performing with studio-only ensembles known as the Hot Fives or the Hot Sevens. He performed with orchestras conducted by Erskine Tate and Carroll Dickerson on stage. The Hot Fives’ performance of “Muskrat Ramble,” which included Kid Ory on trombone, Johnny Dodds on clarinet, Lillian Harden Armstrong on piano, and Johnny St. Cyr on banjo, earned Armstrong a Top Ten success in July 1926.
Armstrong was well-known enough by February 1927 to lead his own band, Louis Armstrong & His Stompers, at Chicago’s Sunset Café. (Armstrong was not a bandleader in the traditional sense; instead, he gave his name to existing bands.) In April, he charted with his debut vocal song, a duet with May Alix called “Big Butter and Egg Man.” In March 1928, he joined Carroll Dickerson’s band at the Savoy Ballroom in Chicago as a star soloist, eventually becoming the band’s leader. In May 1928, “Hotter Than That” reached the Top Ten, followed by “West End Blues” in September, which went on to become one of the first recordings inducted into the Grammy Hall of Fame.
In May 1929, Armstrong and his band returned to New York for a performance at Connie’s Inn in Harlem. He also started singing “Ain’t Misbehavin’” in the orchestra of Hot Chocolates, a Broadway revue, where he was given a prominent role. In September, he released a version of the song, which became a Top Ten success.
In February 1930, Armstrong led the Luis Russell Orchestra on a tour of the South, then moved to Los Angeles in May to lead a band at Sebastian’s Cotton Club for the following ten months. Ex-Flame, released at the end of 1931, was his cinematic debut. By the beginning of 1932, he had moved from the “race”-oriented OKeh label to its pop-oriented big sister Columbia, for which he scored two Top Five singles, “Chinatown, My Chinatown” and “You Can Depend on Me,” before achieving a number one hit with “All of Me” in March 1932. In the spring of 1932, he returned to Chicago to lead a band directed by Zilner Randolph, which toured the nation. Armstrong sailed to England for a tour in July. His American career was sustained by a succession of archive recordings, including the Top Ten singles “Sweethearts on Parade” (August 1932; recorded December 1930) and “Body and Soul” (August 1932; recorded December 1930). (October 1932; recorded October 1930). When he returned to the United States in 1935, he signed to Decca Records and immediately had a double-sided Top Ten success with “I’m in the Mood for Love”https://www.allmusic.com/. “You’re a lucky star for me.”
Armstrong’s new manager, Joe Glaser, put together a large band for him, which debuted in Indianapolis on July 1, 1935, and toured frequently for the following few years. He also proceeded to record for Decca, resulting in the Top Ten successes “Public Melody Number One” (August 1937), “When the Saints Go Marching In” (April 1939), and “You Won’t Be Satisfied (Until You Break My Heart)” (April 1946), the last of which was a duet with Ella Fitzgerald. In November 1939, he returned to Broadway in the short-lived musical Swingin’ the Dream.
With the demise of swing music in the postwar years, Armstrong disbanded his large band and formed His All-Stars, a small group that debuted in Los Angeles on August 13, 1947. In February 1948, he went on his first European tour since 1935, and he continued to travel frequently throughout the globe after that. Satchmo at Symphony Hall (his nickname) hit the Top Ten of the LP charts in June 1951, and later that year, “(When We Are Dancing) I Get Ideas” became his first Top Ten single in five years. “A Kiss to Build a Dream On,” performed by Armstrong in the film The Strip, was the single’s B-side and also a chart entry. It was reintroduced to the public in 1993 when it was included in the film Sleepless in Seattle.
Armstrong’s contract with Decca expired in 1954, and his management took the unprecedented step of not signing him to another exclusive deal, instead allowing him to freelance for other labels. In October 1955, Armstrong’s homage to Fats Waller, Satch Plays Fats, became a Top Ten LP for Columbia, and Verve Records signed him for a series of records with Ella Fitzgerald, starting with the chart LP Ella and Louis in 1956.
Despite a heart attack in June 1959, Armstrong continued to travel extensively. His performance of the title song from the Broadway musical Hello, Dolly!, which reached number one in May 1964 and was followed by a gold-selling album of the same name, was a surprise success. He was nominated for a Grammy for best vocal performance for it. The worldwide triumph of “What a Wonderful World,” which reached number one in the United Kingdom in April 1968, was replicated four years later. It was not well-known in the United States until 1987, when it was included in the film Good Morning, Vietnam, and went on to become a Top 40 success. Armstrong co-starred with Barbra Streisand in the 1969 film Hello, Dolly!, singing the title song as a duet. In the late 1960s and early 1970s, he performed less often, and at the age of 69, he died of a heart illness in 1971. He received a Grammy Lifetime Achievement Award a year later.
Armstrong was embraced by two distinct audiences as an artist: jazz fans, who revered him for his early innovations as an instrumentalist but were occasionally embarrassed by his lack of interest in later developments in jazz, particularly his willingness to serve as a light entertainer; and pop fans, who delighted in his joyous performances, particularly as a vocalist, but were largely oblivious to his lack of interest in later developments in jazz, especially his willingness to serve as a light entertainer. His records are vast and varied, with portions of his library held by many labels, owing to his fame, lengthy career, and frequent label-jumping in his latter years, as well as the contrasting jazz and pop sides of his work. Many of his recorded performances, on the other hand, are masterpieces, and none of them are less than engaging.
Louis Armstrong was an American jazz musician who is considered to be one of the most influential musicians in history. His legacy not only includes his music, but also his contributions to American society and culture. Reference: louis armstrong education.
Frequently Asked Questions
What famous songs did Louis Armstrong write?
What are the three songs Louis Armstrong is known for?
What a Wonderful World Hello Dolly and When the Saints Go Marchin In.
What are two famous Louis Armstrong songs?
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